Archive for January, 2009
January 22, 2009
Posted in Uncategorized with tags Academy Awards, American Idol, BlackBerry, CrackBerry, ER, Fall Out Boy, George Clooney, Golden Globes, heath ledger, Kate Winslet, Marcia Cross, No Doubt, obama, Ocars, Paramore, PEOPLE, Revolutionary Road, The Daily Show, The Dark Knight, The Reader, The Simpsons, Variety, Veronica Mars, Wall-E on January 22, 2009 by sizzlemaker
Scrubbing up again!
Heath Ledger: On the anniversary of his death (Jan. 22, 2008), he gets a posthumous Oscar nomination, the only one for The Dark Knight.
George Clooney: After months of ‘will he or won’t he?’ debate, Clooney will indeed make the rounds once more on ER, PEOPLE is reporting.
Oscars: Wall-E isn’t up for best picture after all. Dun dun dunnnnnn.
Oscars, Pt. 2: The Golden Globes nominated Kate Winslet for supporting actress in The Reader. Now she’s got leading actress but nothing for Revolutionary Road, which–unlike at the Globes–was shut out of the top categories.
American Idol: Can anything take this thing down? Even with the inaugural festivities broadcast last night, Idol still racked up the highest ratings. There’s gotta be a fix, right? Or were people Obama-ed out by nightfall?
Veronica Mars: Fans who felt jilted by the show’s cancellation a few years back can rejoice now that a movie adaptation is finally underway. Never watched the series but probably could be convinced to go see it.
Fall Out Boy: Recorded a special version of The Simpsons theme song, to be played after this week’s episode. Our guess is Star Wars is next.
Obama: Gotta love the internet. You can be in one place and still see practically every Obama front page from yesterday’s papers.
Obama, Pt. 2: He doesn’t have to give up his addiction! Obama will keep the CrackBerry, now outfitted with special security encryption. So how long until it’s hacked?
The Daily Show: Time flies! The little series that could is 10 years old! And Variety has a bunch of articles to mark the milestone.
No Doubt: Hey baby! Going on tour (with Paramore) this summer for the first time in 5 years!
SIZZLED OUT: Marcia Cross
STILL SIZZLING: This alleged hold-out on a TV-to-movie adaptation said he might “put the script in his shredder.”
Oscar Nominations
Posted in Uncategorized with tags Academy Awards, Oscars on January 22, 2009 by sizzlemaker(Source: Oscars.org)
Performance by an actor in a leading role
- Richard Jenkins in “The Visitor” (Overture Films)
- Frank Langella in “Frost/Nixon” (Universal)
- Sean Penn in “Milk” (Focus Features)
- Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
- Mickey Rourke in “The Wrestler” (Fox Searchlight)
Performance by an actor in a supporting role
- Josh Brolin in “Milk” (Focus Features)
- Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount)
- Philip Seymour Hoffman in “Doubt” (Miramax)
- Heath Ledger in “The Dark Knight” (Warner Bros.)
- Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage)
Performance by an actress in a leading role
- Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics)
- Angelina Jolie in “Changeling” (Universal)
- Melissa Leo in “Frozen River” (Sony Pictures Classics)
- Meryl Streep in “Doubt” (Miramax)
- Kate Winslet in “The Reader” (The Weinstein Company)
Performance by an actress in a supporting role
- Amy Adams in “Doubt” (Miramax)
- Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
- Viola Davis in “Doubt” (Miramax)
- Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
- Marisa Tomei in “The Wrestler” (Fox Searchlight)
Best animated feature film of the year
- “Bolt” (Walt Disney), Chris Williams and Byron Howard
- “Kung Fu Panda” (DreamWorks Animation, Distributed by Paramount), John Stevenson and Mark Osborne
- “WALL-E” (Walt Disney), Andrew Stanton
Achievement in art direction
- “Changeling” (Universal), Art Direction: James J. Murakami, Set Decoration: Gary Fettis
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
- “The Dark Knight” (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando
- “The Duchess” (Paramount Vantage, Pathé and BBC Films), Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway
- “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Art Direction: Kristi Zea, Set Decoration: Debra Schutt
Achievement in cinematography
- “Changeling” (Universal), Tom Stern
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Claudio Miranda
- “The Dark Knight” (Warner Bros.), Wally Pfister
- “The Reader” (The Weinstein Company), Chris Menges and Roger Deakins
- “Slumdog Millionaire” (Fox Searchlight), Anthony Dod Mantle
Achievement in costume design
- “Australia” (20th Century Fox), Catherine Martin
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Jacqueline West
- “The Duchess” (Paramount Vantage, Pathé and BBC Films), Michael O’Connor
- “Milk” (Focus Features), Danny Glicker
- “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Albert Wolsky
Achievement in directing
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Fincher
- “Frost/Nixon” (Universal), Ron Howard
- “Milk” (Focus Features), Gus Van Sant
- “The Reader” (The Weinstein Company), Stephen Daldry
- “Slumdog Millionaire” (Fox Searchlight), Danny Boyle
Best documentary feature
- “The Betrayal (Nerakhoon)” (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
- “Encounters at the End of the World” (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser
- “The Garden” A Black Valley Films Production, Scott Hamilton Kennedy
- “Man on Wire” (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn
- “Trouble the Water” (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal
Best documentary short subject
- “The Conscience of Nhem En” A Farallon Films Production, Steven Okazaki
- “The Final Inch” A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant
- “Smile Pinki” A Principe Production, Megan Mylan
- “The Witness – From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde
Achievement in film editing
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Kirk Baxter and Angus Wall
- “The Dark Knight” (Warner Bros.), Lee Smith
- “Frost/Nixon” (Universal), Mike Hill and Dan Hanley
- “Milk” (Focus Features), Elliot Graham
- “Slumdog Millionaire” (Fox Searchlight), Chris Dickens
Best foreign language film of the year
- “The Baader Meinhof Complex” A Constantin Film Production, Germany
- “The Class” (Sony Pictures Classics), A Haut et Court Production, France
- “Departures” (Regent Releasing), A Departures Film Partners Production, Japan
- “Revanche” (Janus Films), A Prisma Film/Fernseh Production, Austria
- “Waltz with Bashir” (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel
Achievement in makeup
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Greg Cannom
- “The Dark Knight” (Warner Bros.), John Caglione, Jr. and Conor O’Sullivan
- “Hellboy II: The Golden Army” (Universal), Mike Elizalde and Thom Floutz
Achievement in music written for motion pictures (Original score)
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.),Alexandre Desplat
- “Defiance” (Paramount Vantage), James Newton Howard
- “Milk” (Focus Features), Danny Elfman
- “Slumdog Millionaire” (Fox Searchlight), A.R. Rahman
- “WALL-E” (Walt Disney), Thomas Newman
Achievement in music written for motion pictures (Original song)
- “Down to Earth” from “WALL-E” (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel
- “Jai Ho” from “Slumdog Millionaire” (Fox Searchlight), Music by A.R. Rahman, Lyric by Gulzar
- “O Saya” from “Slumdog Millionaire” (Fox Searchlight), Music and Lyric by A.R. Rahman andMaya Arulpragasam
Best motion picture of the year
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), A Kennedy/Marshall Production, Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers
- “Frost/Nixon” (Universal), A Universal Pictures, Imagine Entertainment and Working Title Production,Brian Grazer, Ron Howard and Eric Fellner, Producers
- “Milk” (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers
- “The Reader” (The Weinstein Company), A Mirage Enterprises and Neunte Babelsberg Film GmbH Production, Nominees to be determined
- “Slumdog Millionaire” (Fox Searchlight), A Celador Films Production,Christian Colson, Producer
Best animated short film
- “La Maison en Petits Cubes” A Robot Communications Production, Kunio Kato
- “Lavatory – Lovestory” A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit
- “Oktapodi” (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand
- “Presto” (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland
- “This Way Up”, A Nexus Production, Alan Smith and Adam Foulkes
Best live action short film
- “Auf der Strecke (On the Line)” (Hamburg Shortfilmagency), An Academy of Media Arts Cologne Production, Reto Caffi
- “Manon on the Asphalt” (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont
- “New Boy” (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie
- “The Pig” An M & M Production, Tivi Magnusson and Dorte Høgh
- “Spielzeugland (Toyland)” A Mephisto Film Production, Jochen Alexander Freydank
Achievement in sound editing
- “The Dark Knight” (Warner Bros.), Richard King
- “Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes
- “Slumdog Millionaire” (Fox Searchlight), Tom Sayers
- “WALL-E” (Walt Disney), Ben Burtt and Matthew Wood
- “Wanted” (Universal),Wylie Stateman
Achievement in sound mixing
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
- “The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
- “Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
- “WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt
- “Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt
Achievement in visual effects
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
- “The Dark Knight” (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
- “Iron Man” (Paramount and Marvel Entertainment), John Nelson, Ben Snow, Dan Sudick and Shane Mahan
Adapted screenplay
- “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord
- “Doubt” (Miramax), Written by John Patrick Shanley
- “Frost/Nixon” (Universal), Screenplay by Peter Morgan
- “The Reader” (The Weinstein Company), Screenplay by David Hare
- “Slumdog Millionaire” (Fox Searchlight), Screenplay by Simon Beaufoy
Original screenplay
- “Frozen River” (Sony Pictures Classics), Written by Courtney Hunt
- “Happy-Go-Lucky” (Miramax), Written by Mike Leigh
- “In Bruges” (Focus Features), Written by Martin McDonagh
- “Milk” (Focus Features), Written by Dustin Lance Black
- “WALL-E” (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter
Sony Pictures Entertainment
Posted in Uncategorized with tags Sony Pictures Studio on January 21, 2009 by sizzlemakerAKA, outside the Wheel of Fortune lot!
January 21, 2009
Posted in Uncategorized with tags ABC, Ashlee Simpson, CSI, Facebook, Forest Whitaker, Grammys, Heroes, Jennifer Hudson, Lost, Mad Men, Nickelodeon, obama, Oscars, Pete Wentz, Shia LaBeouf, Spongebob Squarepants, St. Petersburg Times, The New York Times, TMZ, Twitter on January 21, 2009 by sizzlemaker
Wish him a happy birthday!
Lost: Premieres tonight. Too bad we never jumped on the bandwagon. It’s probably why we can’t enjoy this Lost/Heroes spoof.
Lost, Pt 2: But whether you watch the show or not, The New York Times has fascinating read on the guy in charge of keeping track of every single character and plot development.
Mad Men: Here’s another we haven’t gotten into. But it’ll be back for a new season! Never too late…
Ashlee Simpson: Who’s more desperate? Ashlee and babydaddy Pete Wentz or CSI for employing them?
Oscars: We’re only a day away from the nominations and we finally know who will be doing the big reveal: Forest Whitaker!
Shia LaBeouf: Though he never faced charges from his summer crash, his license was still suspended for refusing a sobriety test. Know what that means? One year of being chaffeured around!
Jennifer Hudson: As news surfaced that she’ll perform at the Grammys, the alleged killer of her relatives plead not guilty to murder.
Obama: There’s no doubt that the question of our generation will be where were you when he was inaugurated? But The St. Petersburg Times points out some other key and relatively recent historical events covered by the media.
Facebook: Had more than 1.5 million status updates related to Obama yesterday. Wonder what Twitter had?
Twitter: They probably did pretty well, at least according to this.
Spongebob Squarepants: It’s been 10 years since we first met he who lives in a pineapple under the sea. Nickelodeon is celebrating with a documentary.
TMZ: Large TV audience —-> constant episodes—-> spin-off —-> more terrible TV. Any questions?
STILL SIZZLING: This ABC star confirmed today that her husband–and father to her two young twins–is suffering from cancer.
Wheel of Fortune Recap Part Two
Posted in Uncategorized on January 17, 2009 by sizzlemakerSo we left off yesterday right before Sizzlemaker actually taped Wheel of Fortune.
Here’s what you need to remember: Sizzlemaker was set to face-off against a 20-year-old college student from Idaho and a 29-year-old paramedic from Washington.
But first our make-up had to be touched up! Not gonna lie: being pampered was one of the best parts!
Because we were the sixth episode, we had a different theme and air week. This episode was titled America’s Game and just so happened to be the 5,000 episode of the syndicated version. Unfortunately, this milestone didn’t mean more money or any special prizes. Rather, Pat and Vanna shared some interesting facts and clips and had a huge, beautifully-designed cake at the end. One of the facts revealed: to date, WoF has given out more than a trillion dollars in cash and prizes!
Before our taping began, we did a few more practice spins and went over last-minute tips to get into the right mindset. And then, as they say in the biz, it was showtime!
We’re not going to give the puzzles or the answers, so you can play along when the show airs.
But we will tell you the results.
The overall winner got about $20,000, including trips to Mexico and San Francisco.
The second place winner got about $8,000.
And the contestant in third (aka last) got $1,300.
And where did we fall? Dead last. Yep, we got $1,300–no more, no less. Kind of pathetic, we know, but it wasn’t for a lack of trying! Luck, more than anything, played a role in the game (and the others we saw taped), allowing the other players to go on “rolls,” with spin after spin, essentially locking out the other players–usually Sizzlemaker. Except for the Toss-Ups, which we admit were kind of hard and undecipherable at the point at which the others solved them, Sizzlemaker knew the answers but never even got the chance to spin, much less solve. In fact, Sizzlemaker only got about 4-6 spins, whereas the other players managed 20! It’s kind of hard to rack up money with those odds!
Still, we were more than grateful for the once-in-a-lifetime opportunity to participate. As it said in our information packet, “You’ve accomplished a lot just by qualifying to be a potential contestant. Tens of thousands of people try to get auditions for the show in every city we visit. Only a few get a chance to try out. Even fewer pass the audition. Congratulations on getting this far in the contestant select process.”
So who DID win the show? And did he or she win the bonus round? Well, you’ll just have to tune in on February 27th to find out. We can’t spoil everything!
Wheel of Fortune Recap Part One
Posted in Uncategorized with tags Culver City, Sony Studios, Vanna White, Wheel of Fortune on January 16, 2009 by sizzlemakerWOW! That was quite an experience. And we’ll tell you all about it!
We know what you really want to know: how did Sizzlemaker do?
We’re not telling…yet. We’re going to keep you in suspense for a bit!
But here are the deets we will share right now…
Arrived at Sony Studios in Culver City at approximately 7:45 am and met the other 19 contestants– the 17 (plus me) scheduled and 2 alternates. We ranged from ages 20 to 5o+ and came from all over the country, including some locals and one person from Hawaii.
A decent breakfast spread was provided: oatmeal, muffins, cereal bars, etc.
We filled out the first of many forms and were briefed by the outside company in charge of fairness and legitimacy.
We went through the contract that we all had to sign, 30-something pages in all. Had basic info, such as the rules about getting your prizes, disclosing all potential conflicts of interests (like being on another game or reality show recently) and…whether or not you’ve ever been convicted of a felony.
We all had our makeup professionally done (partly with airbrush–quite cool!) even though we still had several hours until the first of the six shows would be taped.
We went on the set to practice spinning the wheel–much heavier than you would think; definitely had some trouble!–and learn about the different monitors we needed to pay attention to. We also filmed Hometown Howdys, which are little spots advertising our appearance and airing on our local stations.
During this time, Vanna White popped in to say hello! She had no make-up on and wore pajama bottoms. Not a pretty site.
Next we went over all the rules and procedures of the game, including the different types of rounds and categories. Though it seems there are couple that are most common, there are actually more than 30!
We had a pre-lunch break, with mini-wraps, cheeses and little pepperonis and some other mystery meat.
After that they announced our pre-determined groups of 3. Sizzlemaker was going to face-off against a 20-year-old college student from Idaho and a 29-year-old paramedic from Washington.
Sizzlemaker was given the blessing (curse?) of choosing a numbered golf ball out of a bucket, which determined our place in the show order. Our number: six. Of six. That’s right, folks. Got there before 8 and didn’t tape until after 5pm! We also used similar balls to determine our placing on stage. Sizzlemaker got the number two position, yellow and center.
Next we had a rehearsal where we again practiced spinning the wheel, but this time with calling out letters and solving puzzles. Not exactly the most realistic simulation but it was sufficient.
The first taping began a little after noon. The audience (which numbered less than 100) consisted of contestants, their guests and other random people who got tickets. The contestants, of course, sat separately and could not communicate with anyone but staff. In fact, no one was allowed into the building with a cell phone and contestants weren’t even allowed to bring reading material!
The first five episodes, which will air the first week in February, were themed “Gone Fishin'” so a lot of the puzzles and prizes had to do with that. The set’s backdrop was a log cabin which didn’t seem to make that much sense.
Though the show is less than a half an hour when you take out commercial breaks, it took anywhere from 20 to 40 minutes to film each episode. Why the differences? Depended on glitches and technical issues and how fast the contestants solved the puzzles. We also got to each lunch during the taping: pizza and lots of junk food!
So how exactly did the game work? The first round is called Toss-Up and it’s worth $1,000. Letters start popping up on the board, one-by-one and randomly, and anyone can buzz in to solve the puzzle. The second round is another Toss-Up, this time worth $2,000 and control of the game. Whoever wins that second rounds gets to spin the wheel first in third round, a general turn-by-turn spinning of the wheel and guessing letters.
The fourth round is always the Jackpot Round, where the amount landed on with each spin accumulates into a pot. If you land on Jackpot and correctly guess the letter, you have the opportunity to solve the puzzle and win the Jackpot. If you land on it and fail to do either of those things, the Jackpot disappears completely. This is followed by the Mystery Round, where one of the wedges is secretly worth $10,000…or could give you bankruptcy. It’s your decision, once you correctly call a letter, to decide whether you want $1,000 per a letter or to flip the wedge over to see if it’s the ten grand or bankruptcy. One of rounds 2 through 4 will also be a Prize Puzzle, which means whoever solves the puzzle gets a prize, usually a trip of some sort. The fifth round is another Toss-Up, this time worth $3,000 and control of the game.
The sixth round is usually the last, and because time is running out, Pat Sajak will give the wheel a final spin and each contestant will have chances to call out letters for that value. After successfully calling a letter, you have 3 seconds to solve the puzzle, or else the next contestant gets to try. The contestant with the most money (in cash and prizes) at the end of this goes to the Bonus Round. In the Bonus Round, you spin a miniature wheel which designates an envelope with a prize that will be revealed later. R, S, T, L, N and E are revealed in the puzzle and then you get to choose 3 more constonants and a vowel. You then have 10 seconds to try to solve the puzzle. Regardless of whether you do, Pat reveals what the envelope holds at the end (could be $20,000 to $100,000 or a car) but you of course only get the prize if you’ve solved the puzzle.
Interesting things: if you win a prize during a round (separate from the Prize Puzzle itself) but do not win the round by solving the puzzle, you lose your prize! Also, winning the $1,000,000 is a multi-step process. First you must land on that wedge when you spin and then correctly call a letter. If you win that round, you’re still in the running towards the million. If you lose the round, you lose the chance at the million and it’s gone for everyone for the whole game. In order to keep working towards the million, you then have to have the most money and go on to the Bonus Round. Finally, you must correctly solve the Bonus Puzzle and then pray and hope the envelope you chose says $1,000. That’s right: landing on the million wedge means nothing if you don’t win that specific round, make it to the bonus round, win and happen to pick the right envelope. Incredibly difficult and very low odds. There’s only been one million winner in the show’s history, though this opportunity is pretty new.
All that being said, how did everyone do?
The lowest amount won: $1,000
The highest amount won: about $60,000
Some of the trips won: Aruba, Mexico, Paris, London, San Francisco, etc.
And how did we do? You’ll have to wait til tomorrow to find out!
Check back then for a full-recap of Sizzlemaker’s specific game…and winnings!
Wheel of Fortune TODAY!
Posted in Uncategorized on January 15, 2009 by sizzlemakerSizzlemaker is going to tape an episode of Wheel of Fortune today!
Unfortunately, electronic devices are not allowed into the contestant area so we can’t do any sort of live-blog.
But by Friday we’ll hopefully have a recap up!
GET EXCITED! WE ARE!


























